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Example Session

This example aims to give you a flavour of how CD discourse provides support in helping a Speaker develop ideas about practice. The transcript of the full session can be found at http://www.education.bham.ac.uk/staff/profiles/mann_s_thesis_vol2_transcripts.doc

In this session Vince is preparing for a conference presentation. The relationship between planning and communication is being explored. In this first extract from early in the session, Vince introduces the topic:

024

 Vince

  as soon as I enter into a planning world (.) in

025

  terms of talking (0.4) it seems to cause some

026

  kind of stress,

027

 Nick

  Mmm

028

 Vince

  which I- which I feel imposing on me.

029

  and this imposition, (.) this structure that I've

030

  pre-planned, (0.4) I find is- is a saddle (.) a

031

  chain (.) something which inhibits me.

032

 Nick

  so can we just clarify where we are now?

033

  you're now into (.) what may not be a

034

  continuing topic but the first area

035

  of topic focus is what you're working on now

036

  and that is this preference of yours for off-the-cuff

037

  talk as opposed to planned talk. (.) you're saying

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  (.) that if you plan something then when you

039

  start to talk you feel that that plan is an imposition

040

  on you and constrains you and ties you down and

041

  you feel you're not being as productive as you could be.

Nick's Understander move (032) is doing two things. It is clarifying the emerging focus ('where we are now.the first area of topic focus') and it is Reflecting back key elements and giving the Speaker a chance to 'hear back' a version.

Vince goes on from this early exchange to more fully explore his ideas and preference for ways of working with a group that are not planned but prepared. He arrived at this distinction by working through a number of related issues and stages:

  • He opened by articulating a feeling that when he is very planned then he feels stress (see extract above)
  • He realized that his preference for improvisation may be connected to his teaching because he feels that the students are more involved (i.e. they help to direct the process).

The following is an extract where the Understanders (Ellie and Helen) help him to articulate an understanding of how planning can make him less responsive as a teacher. It builds on the idea of involvement, noticing and responding to, signals from the students:

075

 Ellie 

  you feel that- do you feel that you've had some

076

  sort of signals and been unable to change your response

077

  to it?

078

 Vince

  I think it's partly that and partly the fact that

079

  I don't feel open to any signals=

080

 Ellie

  =so you don't feel you see them

081

 Vince 

  .hhh (0.6) I see the two things in opposition

082

  >you know< this driving force to get through

083

  this plan (0.4) does mean that perhaps I don't even

084

  see the signals

085

 Helen

  so it's as if you're looking back into your

086

  head all the time rather than looking out

087

  and communicating with

Ellie and Helen's Reflecting moves help Vince to move to the next stage in his thinking:

  • He thinks this 'connection' with the students helps facilitate a more 'in the moment' communicative event.
  • He make a distinction between planning time for students (in order to help facilitate on-task communication) and planning done by the teacher before the session.

In the next extract you can see how stage 5 (above) leads him to consider the relationship between planning and communicative events. Here, he makes a clear distinction between the way his preferred classroom methodology has evolved and the role within a task-based methodology for planning time for students:

 

132

  Vince

    I think it's obviously a personal thing because

133

    you look around and you see people do plan

134

    to a greater or lesser extent (.) and it- methodologically

135

    is interesting with that article in Jane Willis'

136

    collection (.) the planning time for tasks (.)

137

    is it Martin Bygate?

138

  Mary 

    Mmm

139

  Vince

    do we want students to plan things and what

140

    sort of effect does that have on the language

141

    (.) it's perceived as being a good thing (.) a

142

    benefit to allow students to- to plan (1.4)

  • He remembers a distinction he has heard of between (task) tension which can help and tenseness which does not. There is a helpful amount of 'tension' for him in not over-planning a session. There is 'tenseness' if he does plan to high degree.
  • There is an outcome for him in that he clarifies a distinction between being prepared (i.e. having things I could do) and being planned, which directs and often inhibits a communicative event.

Through similar stages, the Speaker shapes experiential knowledge by making distinctions, connections, extensions and clarifications. The extracts above provide examples of how Understanders support the Speaker's articulation. The motivation for this kind of Understander move is twofold:

  • It is a chance for the Understander to confirm that she is on the same wavelength. This motivation is to enable the Speaker to hear a version of what has been said.
  • The Understander may not be sure that she is on the same wavelength. Here the motivation is to enable the Understander to carry on properly understanding.

Vince develops a distinction between prepared and planned. A few moments later, Nick is able to 'understand' this distinction:

180

   Nick

      and that's the big distinction I hear now

181

      in what you're saying, (.) between being

182

      prepared to enter the arena (.) and the idea

183

      of having a plan which you think will

184

      ride roughshod over the various possibilities

185

      that could have occurred in that arena

186

  Vince

      yes yes (.) and another thought hits me from

187

      that, (.) from the preparation planning distinction,...

This gets an enthusiastic endorsement in line 186 and, once this distinction is resolved, it leads immediately to a related idea and this movement is explicitly signalled by 'another thought hits me'. This kind of explicit signalling is common when Speakers feel that they are having 'new' thoughts. There is a sense of momentum which builds up and often a sense of excitement.

The above description gives some idea of how Understanders use CD moves to keep the focus directed on the Speaker's emerging focus.

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